Eartha Kitt Dies at 81

Eartha Kitt, the U.S. singer-actress who learned to pick cotton before the age of 8, died in New York with her daughter at her side, her publicist said. She was 81.

She was being treated for colon cancer, publicist Patty Freedman told CNN Thursday.

Kitt said she got her unusual first name because she was born on a small farm in South Carolina during an abundant harvest.

I was named Eartha to thank the earth for that fine crop, the tawny singer-actress said during an interview with UPI in 1981.

The singer was born Jan. 16, 1928, the daughter of John and Anna Kitt, and she was in the fields picking cotton before she was 8 years old.

She and her mother moved to New York after her father died, but her mother died shortly thereafter and Kitt was placed in custody of an aunt.

Honesty became almost a mania with the young woman and her outspoken manner often startled people around her. It even followed her into the White House in later years when, as a guest at the White House, she angrily told the first lady at that time, Lady Bird Johnson, that American youth was in rebellion because of the U.S. involvement in the Vietnam War.

Kitt was one of more than 50 guests invited to the White House to discuss the president's proposals to combat crime in the streets.

Kitt became a member of the Dunham dancers and toured the world for almost five years before she struck out on her own as a nightclub chanteuse in Paris, where she wore slit-to-the-hip gowns and sang with a purr in her voice.

Kitt appeared in a number of films including New Faces (1953), St. Louis Blues (1957), Anna Lucasta (1958) and The Saint of Devil's Island (1961).

Kitt told her life story in a book, Thursday's Child, published in 1956.

She married William O. McDonald in 1960. They separated in 1963 and later divorced. They had one child, a girl, Kitt.

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Model Sahar Daftary Killed in Fall

Model and former Face of Asia winner Sahar Daftary, 24, fell to her death from the 12th floor of an apartment building in England, police say. Witnesses have said there was no shouting or ranting -- just a single scream. It is being looked at as either suicide or a horrible accident, a police source told The Daily Mail. She died during the weekend after falling 150 feet at the building where she had gone to pick up her belongings from an apartment she shared with her ex-boyfriend, a property developer who hasn't been named to the media, the newspaper reported. The model's former beau reportedly was arrested and interviewed by police, then released on bail. She met (the boyfriend) in Manchester and they were very happy. Then she won the Face of Asia competition and got several big contracts. She seemed to have the world at her feet. But she discovered that he was married and became very unhappy. The stress changed her and she had stopped eating properly. When she came up on Saturday she was very distracted and preoccupied with collecting her things from the apartment, but he didn't want to see her.

1950s Pinup Model Bettie Page Dies in LA at 85

Bettie Page, the 1950s secretary-turned-model whose controversial photographs in skimpy attire or none at all helped set the stage for the 1960s sexual revolution, died Thursday. She was 85.

Page was placed on life support last week after suffering a heart attack in Los Angeles and never regained consciousness, said her agent, Mark Roesler. He said he and Page's family agreed to remove life support. Before the heart attack, Page had been hospitalized for three weeks with pneumonia.

"She captured the imagination of a generation of men and women with her free spirit and unabashed sensuality," Roesler said. "She is the embodiment of beauty."

Page, who was also known as Betty, attracted national attention with magazine photographs of her sensuous figure in bikinis and see-through lingerie that were quickly tacked up on walls in military barracks, garages and elsewhere, where they remained for years.

Her photos included a centerfold in the January 1955 issue of then-fledgling Playboy magazine, as well as controversial sadomasochistic poses.

"I think that she was a remarkable lady, an iconic figure in pop culture who influenced sexuality, taste in fashion, someone who had a tremendous impact on our society," Playboy founder Hugh Hefner told The Associated Press on Thursday. "She was a very dear person."

Page mysteriously disappeared from the public eye for decades, during which time she battled mental illness and became a born-again Christian.

After resurfacing in the 1990s, she occasionally granted interviews but refused to allow her picture to be taken.

"I don't want to be photographed in my old age," she told an interviewer in 1998. "I feel the same way with old movie stars. ... It makes me sad. We want to remember them when they were young."

The 21st century indeed had people remembering her just as she was. She became the subject of songs, biographies, Web sites, comic books, movies and documentaries. A new generation of fans bought thousands of copies of her photos, and some feminists hailed her as a pioneer of women's liberation.

Gretchen Mol portrayed her in 2005's "The Notorious Bettie Page" and Paige Richards had the role in 2004's "Bettie Page: Dark Angel." Page herself took part in the 1998 documentary "Betty Page: Pinup Queen."

Hefner said he last saw Page when he held a screening of "The Notorious Bettie Page" at the Playboy Mansion. He said she objected to the fact that the film referred to her as "notorious," but "we explained to her that it referred to the troubled times she had and was a good way to sell a movie."

Page's career began one day in October 1950 when she took a respite from her job as a secretary in a New York office for a walk along the beach at Coney Island. An amateur photographer named Jerry Tibbs admired the 27-year-old's firm, curvy body and asked her to pose.

Looking back on the career that followed, she told Playboy in 1998: "I never thought it was shameful. I felt normal. It's just that it was much better than pounding a typewriter eight hours a day, which gets monotonous."

Nudity didn't bother her, she said, explaining: "God approves of nudity. Adam and Eve in the Garden of Eden, they were naked as jaybirds."

In 1951, Page fell under the influence of a photographer and his sister who specialized in S&M. They cut her hair into the dark bangs that became her signature and posed her in spiked heels and little else. She was photographed with a whip in her hand, and in one session she was spread-eagled between two trees, her feet dangling.

"I thought my arms and legs would come out of their sockets," she said later.

Moralists denounced the photos as perversion, and Sen. Estes Kefauver of Tennessee, Page's home state, launched a congressional investigation.

Page quickly retreated from public view, later saying she was hounded by federal agents who waved her nude photos in her face. She also said she believed that, at age 34, her days as "the girl with the perfect figure" were nearly over.

She moved to Florida in 1957 and married a much younger man, as an early marriage to her high school sweetheart had ended in divorce.

Her second marriage also failed, as did a third, and she suffered a nervous breakdown.

In 1959, she was lying on a sea wall in Key West when she saw a church with a white neon cross on top. She walked inside and became a born-again Christian.

After attending Bible school, she wanted to serve as a missionary but was turned down because she had been divorced. Instead, she worked full-time for evangelist Billy Graham's ministry.

A move to Southern California in 1979 brought more troubles.

She was arrested after an altercation with her landlady, and doctors who examined her determined she had acute schizophrenia. She spent 20 months in a state mental hospital in San Bernardino.

A fight with another landlord resulted in her arrest, but she was found not guilty because of insanity. She was placed under state supervision for eight years.

"She had a very turbulent life," Todd Mueller, a family friend and autograph seller, told The Associated Press on Thursday. "She had a temper to her."

Mueller said he first met Page after tracking her down in the 1990s and persuaded her to do an autograph signing event.

He said she was a hit and sold about 3,000 autographs, usually for $200 to $300 each.

"Eleanor Roosevelt, we got $40 to $50. ... Bettie Page outsells them all," he told The AP last week.

Born April 22, 1923, in Nashville, Tenn., Page said she grew up in a family so poor "we were lucky to get an orange in our Christmas stockings."

The family included three boys and three girls, and Page said her father molested all of the girls.

After the Pages moved to Houston, her father decided to return to Tennessee and stole a police car for the trip. He was sent to prison, and for a time Betty lived in an orphanage.

In her teens she acted in high school plays, going on to study drama in New York and win a screen test from 20th Century Fox before her modeling career took off.

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Odetta Holmes Dies at 77; Folk Singer Championed Black History, Civil Rights

Odetta, the classically trained folk, blues and gospel singer who used her powerfully rich and dusky voice to champion African American music and civil rights issues for more than half a century starting in the folk revival of the 1950s, has died. She was 77.

She was admitted to Lenox Hill Hospital in New York City for a checkup in mid-November but went into kidney failure. She died there Tuesday of heart disease, her manager, Doug Yeager, told the Associated Press.

With a repertoire that included 19th century slave songs and spirituals as well as the topical ballads of such 20th century folk icons as Woody Guthrie and Pete Seeger, Odetta became one of the most beloved figures in folk music.

She was said to have influenced the emergence of artists as varied as Bob Dylan, Joan Baez, Janis Joplin and Tracy Chapman.

"The first thing that turned me on to folk singing was Odetta," Dylan once said. "From Odetta, I went to Harry Belafonte, the Kingston Trio, little by little uncovering more as I went along."

Her affinity for traditional African American folk songs was a hallmark of her long career, along with a voice that could easily sweep from dark, husky low notes to delicate yet goose bump-inducing high register tones.

"The first time I heard Odetta sing," Seeger once said, "she sang Leadbelly's 'Take This Hammer' and I went and told her how I wish Leadbelly was still alive so he could have heard her."

She was born Odetta Holmes in Birmingham, Ala., on Dec. 31, 1930. Her father died when she was young and she moved to Los Angeles at age 6 with her mother, sister and stepfather. She took the surname of her stepfather Zadock Felious, but throughout her career she used just her given name.

And although Los Angeles wasn't as overtly racist as the Deep South, she suffered some of the same indignities that came with being black.

"We lived within walking distance of Marshall High School," Odetta told The Times some years ago, "but they didn't let colored people go there, so we had to get on the bus and go to Belmont High School."

She attended Los Angeles City College after high school and earned a degree in music.

Trained as a classical vocalist as a child, she won a spot with a group called the Madrigal Singers in junior high school. She also realized early that despite her classical training, her options in that area were going to be limited because of the racism at the time.

By 19, Odetta had turned her attention to other forms of music and landed a part in a production of "Finian's Rainbow" as a chorus member. When the musical went on the road to San Francisco, she went with it.

The trip marked an important crossroads in her emergence as a folk singer.

She met an old friend from school who had settled in the city's North Beach neighborhood, and during a visit Odetta was exposed to a late-night session of folk songs.

"That night I heard hours and hours of songs that really touched where I live," she told The Times. "I borrowed a guitar and learned three chords, and started to sing at parties."

The traditional prison songs that she learned in her early days hit home the hardest and helped her come to terms with what she called the deep-seated hate and fury in her.

"As I did those songs, I could work on my hate and fury without being antisocial," she recalled. "Through those songs, I learned things about the history of black people in this country that the historians in school had not been willing to tell us about or had lied about."

Odetta left the theater company in 1950 and took a job at a folk club in San Francisco. She soon began to tour and recorded her first album, "The Tin Angel," in 1954. She soon caught the attention of such folk-music icons as Guthrie, Seeger and Ramblin' Jack Elliott. She was a fixture on the folk music scene by the time the genre's commercial boom came in the late 1950s and early '60s.

She played at the Newport Folk Festival, the showcase event for folk music, four times between 1959 and 1965. She also had a recording contract with Vanguard Records, which at the height of the folk music craze was the genre's leading label.

Over the years, Odetta branched into acting, with dramatic and singing roles in film and television including "Cinerama Holiday," "Sanctuary" and "The Autobiography of Miss Jane Pittman."

But traditional folk music remained her forte.

"The folk repertoire is our inheritance. Don't have to like it, but we need to hear it," she said. "I love getting to schools and telling kids there's something else out there. It's from their forebears, and its an alternative to what they hear on the radio. As long as I am performing, I will be pointing out that heritage that is ours."

In 1999, she was awarded a National Medal of Arts by President Clinton. In 2004, she was a Kennedy Center honoree. A year later, the Library of Congress honored her with its Living Legend Award.

Information on survivors and funeral services was not immediately available.

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